Lusophone memories lie embedded across the Malabar Coast
where the Arabian Sea and Indian Ocean meet the Tagus River
at estuaries, around archipelagoes, at the confluence of the River Periyar.
Here, one walks the Mar Portugues in all its violent ruin
forgotten but not disappeared
enmeshed in the red clay and forbidding stones
of Castello construction at Kannur, Cochin, Kollam, Cranganore
At Fort Aguado, Goa, the Oublie stands a dark reminder
of a sea of accounting
Edited by Nuno OC Madeira and now available online on Vimeo:
Notes Towards a Surreal History in Dreamtime
Mar Português is a feverish haunting of Vasco Da Gama’s Ghosts. The performance is an exploration of striated time between fifteenth century maritime history and 21st century postcolonial memories. Staged as a dream sequence of Vasco Da Gama’s hallucinatory visions, as he lay dying in Cochin, India, gripped by tropical fevers – this piece is a conversation between violent colonial pasts and the translation of those encounters in the present.
In a collaboration that investigates what it means to unpack this colonial maritime history, May Joseph and Sofia Varino create a visual and digital landscape in Mar Portugues, to forge a merging of postcolonial sensibilities between Lisbon, Daressalaam, and New York, where the two artists now reside. In collaboration with Câmara Lenta and dancer Diana Bastos Niepce, Harmattan Theater presents a historical haunting in real time at Cais das Colunas in Terreiro do Paço.
Mar Português marks a liminal transition point in Joseph’s theatrical work. It brings to the metropolitan center of Lisbon a conversation about the linking of trade routes, maritime economies and the syncretic transformation of cultures impacted by Portuguese colonial expansion. Joseph prepared the groundwork for Mar Portugues in Lisbon by creating site specific installations at sites of Portuguese arrival in Cochin, India and Cape of Good Hope, South Africa.