Portuguese Sea, a sea of accounting.

Lusophone memories lie embedded across the Malabar Coast

where the Arabian Sea and Indian Ocean meet the Tagus River

at estuaries, around archipelagoes, at the confluence of the River Periyar.

Here, one walks the Mar Portugues in all its violent ruin

forgotten but not disappeared

enmeshed in the red clay and forbidding stones

of Castello construction at Kannur, Cochin, Kollam, Cranganore

At Fort Aguado, Goa, the Oublie stands a dark reminder

of a sea of accounting




When the Sea Rises video

[youtube http://www.youtube.com/watch?v=zo2Zc3FrsU8]


Mar Português: Cais das Colunas in Lisbon, Portugal (May 2012)

a phantom longing haunts the riverside

immersing the senses in water

now Goa, now Lisbon



Cabo de Tormentoso: Dias Beach at the Cape of Good Hope, South Africa (December 2011)

I search the undercurrent
for eddies, ripples of memory
from Cape of Good Hope to Calicut

Cão, Dias, da Gama


When the Sea Rises: Vasco da Gama Square in Cochin, India (October 2011)

awash in trash, and the detritus of time
the angry god reminds
of a terrible violence
Da Gama, Alburquerque, Cabral
spectral hauntings
in the tug and lull of the sea



The Ocean as Mise en Scene

The Ocean as Mise en Scène by May Joseph

Harmattan Theater works with the sea, oceanic currents, and maritime maps. The ocean’s volatility is inherently dramatic, moody, unpredictable, and violent. Its flows and flux impose complex behavioral patterns on coastal social life. Listening to the sea and taking its full dramatic potential as the working miss en scene for dramatic storytelling is a challenging excursion into very local manifestations of waterfront life. To listen to the sea’s tales is also to harken closely to the minutiae of life lived under the shadow of the insurpassable mise en scène, the expanse of the sea itself.

From: mayjoseph.com